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The Milk Carton Kids’ fifth album , All the Things That I Did and All the Things That I Didn’t Do arrives from ANTI- Records on June 29. The new project marks the first time that acoustic duo Joey Ryan and Kenneth Pattengale have brought a band into studio with them. “We wanted to do something new,” Pattengale says. “We had been going around the country yet another time to do the duo show, going to the places we’d been before. There arose some sort of need for change.” “Musically we knew we were going to make the record with a big- ger sonic palette,” says Ryan. “It was liberating to know we didn’t have to be able to carry every song with just our two guitars.” “Sometimes in singing, we’ll switch parts for a beat or a bar or a note,” Ryan says. “And things start to obscure what is the melody and what is the supporting part.” A third presence rises out of their combined voices. “There are only so many things you can do alone that al- low you to transcend your sense of self for even a short period,” Pattengale says. “I’m the lucky recipient of a life in which for hundreds of times, day after day, I get to spend an hour that is like speaking a language only two people know and doing it in a space with others who want to hear it.”

The Milk Carton Kids - All the Things That I Did and All the Things That I Didn't Do [LP]
$29.98 Video
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Recorded in 1958 and released on the Folkways label in 1959, this album introduced American listeners to Joseph Spence’s unique guitar and vocal styles. These field recordings by musicologist Sam Charters capture Spence in a relaxed, expansive mood—only one of the six selections in the set is under five minutes in length. Spence’s guitar style was due in part to the D tuning of his bass string, which produced a lower bass sound. Whereas many critics have called Spence’s vocal style unorthodox, they have found his guitar playing spontaneous and iconic. Some music critics have gone so far as to refer to him as the “Thelonious Monk of folk guitar.”

Joseph Spence - Bahaman Folk Guitar [LP]
$23.98
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Mardi Gras Music at it's best. Features Professor Longhair, Earl King, and the Wild Magnolias.
Mardi Gras In New Orleans - Mardi Gras In New Orleans / Various
$29.98
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This is a Vinyl 2-LP Set and feautures the Ultimate New Orleans experience. All the classics from New Orleans best Brass bands.
Ultimate New Orleans Brass / Various - Ultimate New Orleans Brass Band / Various
$39.98
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Happy Woman Blues - Lucinda Williams, whose musical style defies easy categorization, recorded her first album of original songs in 1980, supported by a six-member band. Her songs are a mix of traditional and alternative country, folk, and blues that reflect her Louisiana roots. The Village Voice music critic Robert Christgau gave Happy Woman Blues an "A-" and described Williams as a "guileless throwback to the days of the acoustic blues mamas" who "means what she says and says what she means." The vinyl reissue of Happy Woman Blues, which includes a liner notes booklet with the song lyrics, is part of the Smithsonian Folkways Vinyl Reissue Series, revisiting some of the most iconic and influential albums in our collection.
Lucinda Williams - Happy Woman Blues
$23.98
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With their powerful harmonies and imaginative songwriting in full force, Girlpool are making new creative leaps with their new album, What Chaos Is Imaginary. Combining elements of shoegaze, folk, and 80’s postpunk with their own melodic gifts, these two great songwriters come up with a modern classic full of great tunes and sonic surprises. Impressive growth for this already celebrated band.

Girlpool - What Chaos Is Imaginary [Indie Exclusive Limited Edition Pineapple LP]
$25.98
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"Know thy history. Let it horrify you; let it inspire you. Let it show you how the future can look, for nothing in this world has not come around before. These songs are based on slave narratives from the 1800s, African American experiences of the last century, and the Civil Rights movement of the 1960s and headlines from streets of Ferguson and Baltimore today. Voices demanding to be heard, to impart the hard-earned wisdom of a tangled, difficult, complicated history; we just try to open the door and let them through." —Rhiannon Giddens

Freedom Highway, Grammy Award–winner and 2017 Grammy nominee Rhiannon Giddens' follow-up to her highly praised debut album Tomorrow Is My Turn, will be released by Nonesuch Records on February 24, 2017. The record includes nine original songs Giddens wrote or co-wrote while she and her band toured after Tomorrow Is My Turn's 2015 release, along with a traditional song and two civil rights-era songs, "Birmingham Sunday" and Staple Singers' well-known "Freedom Highway," from which the album takes its name. Giddens and the band will tour the U.S. in the spring; details will be announced shortly.

Rhiannon Giddens - Freedom Highway [Vinyl]
$24.98 Video
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Vinyl LP pressing. Elizabeth Cotten's 1958 debut album on Folkways is best known for containing the earliest recording of her classic "Freight Train." The breadth of her repertoire and her endearing style have captivated generations of guitarists and fans of traditional American music. Cotten's self-taught, upside-down, left-handed playing style on the guitar and banjo made her a true original. Many of her deeply personal compositions, such as the immortal "Oh Babe It Ain't No Lie," are also included here. "[A] classic that belongs in every collection..." (Blues Review Quarterly), this reissue is part of Smithsonian Folkways Vinyl Reissue Series and features Mike Seeger's updated notes with comments on Cotten's life, musical style, and song lyrics.
Elizabeth Cotten - Folksongs And Instrumentals With Guitar
$23.98
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Dave Van Ronk was a mentor to Bob Dylan and immortalized in the Coen Bros film "Inside Llewyn Davis". This 1967 live recording was released as a CD in 1997 and comes to record stores for the first time on vinyl for Record Store Day 2018, with a bonus remix of "Statesboro Blues".

Dave Van Ronk - Live At Sir George William University
$22.98
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The highly-anticipated album, The Tree of Forgiveness, is Prine's first collection of new material since 2005's Grammy-winning Fair and Square. Rather than going out on a limb, Prine cultivated the themes that have brought international acclaim since the 1970s. For example, he can take a topic like loneliness and make it funny or heartbreaking.

Prine teamed with Grammy-winning producer Dave Cobb to record in Nashville's historic Studio A, enlisting friends like Brandi Carlile, Jason Isbell, and Amanda Shires to sing along. The songs are new, although some had waited to be finished for decades, like a co-write with Phil Spectro called 'God Only Knows'; Another incomplete song, 'I Have Met My Love Today' now celebrates the unexpected spark that leads to lifelong romance -- with a dash of youthful innocence. The musical arrangements may be simpler than on past efforts, yet his unique ability to distill complex emotions into everyday language remains fully intact.

John Prine - The Tree Of Forgiveness [LP]
$27.98 Video
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Leonard Cohen - Greatest Hits album by Leonard Cohen, originally released in 1975. In some countries from Europe, it was released under the title Greatest Hits. This alternative title was used for the original vinyl release and for CD reissues from the 1980s onwards. The front cover photograph was taken in 1968 in a Milan hotel room, according to Cohen's liner notes. Alternative rock band Ween based the album cover for their 1991 album, The Pod, after this photograph.
Leonard Cohen - Greatest Hits [LP]
$22.98
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Reissue of the second studio album by the Pogues using 2004 remastered audio.
The Pogues - Rum, Sodomy & The Lash [Vinyl]
$24.98
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Vinyl LP pressing. This intimate collection of Townes Van Zandt live recordings from 1993 is being pressed on double vinyl for the first time. "... The 17-song set finds Van Zandt in fine form - upbeat, gracious, apparently sober - and in good company, with fiddler Owen Cody and guitarist Danny Rowland adding a dimension of musical enhancement that never overwhelms the nuances of the material," wrote No Depression. "As anyone who ever saw Van Zandt fall off a stool recognizes, there was no such thing as a typical Townes performance, but when he was good, no one working in the Texas troubadour tradition has ever been better... Listeners only familiar with this album's higher-profile material in more popular renditions by Willie Nelson and Merle Haggard ("Pancho & Lefty'), Don Williams and Emmylou Harris ("If I Needed You') or Nanci Griffith and Arlo Guthrie ("Tecumseh Valley") may have heard the tunes, heard the words, but they haven't really heard the songs until they've heard Townes."
Townes Van Zandt - Rear View Mirror
$29.98
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HQ vinyl reissue of original 1969 compilation featuring several non-album singles, all the hits!

Donovan - Donovan's Greatest Hits [LP]
$22.98
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Various Positions is the seventh studio album by Leonard Cohen, released in December 1984 (and February 1985). It marked not only his turn to the modern sound and use of synthesizers (particularly on the opening track), but also, after the harmonies and backing vocals from Jennifer Warnes on the previous Recent Songs (1979), an even greater contribution from Warnes, who is credited equally to Cohen as vocalist on all of the tracks. - The album was recorded at Quadrasonic Sound in New York in the summer of 1983 with Leanne Ungar engineering. A small core of musicians from a group called Slow Train backed Cohen on the album. The album contains two songs that would become live standards for Cohen: "Dance Me to the End of Love" and "Hallelujah".
Leonard Cohen - Various Positions [LP]
$22.98
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Mitski warmly recalls a quote from sculptor El Anatsui, "Art grows out of each particular situation, and I believe that artists are better off working with whatever their environment throws up."

With this nerve exposed lyrically, and having dived into her new beginning, Mitski chooses her 2014 breakthrough album Bury Me at Makeout Creek to explore uncharted sonic territory, trading in large string arrangements for guitar and bass. While studying composition at SUNY Purchase's music conservatory, she previously recorded music with a full orchestra. However as college graduation inched closer, Mitski moved away from the concert hall and into the campus' active DIY scene. Upon relocating to New York following graduation, she entered stages at Death By Audio, Silent Barn, and Bed Stuy basements, entrenching her songs of love, fear, lust, and brilliant clarity into entirely sympathetic ears.

Since releasing Bury Me at Makeout Creek, Mitski has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics. Pitchfork applauded the release as "inventive and resourceful," while Rolling Stone celebrated her "deep-cutting lyrics." NME said of Bury Me, "it's a record that doesn't tug at your heart-strings as much as it mercilessly pounds at them, taking to your emotions like a lead pipe to a piñata." She has also received widespread attention for her "cathartic" live shows as dubbed by The New York Times' Jon Caramanica.

"I was so young when I behaved 25," Mitski sings on "First Love / Late Spring," "yet now I find I've grown into a tall child." This veritable thesis speaks to sentiments of the poetry and beauty of struggling up the hill to adulthood. Mitski follows El Anatsui's humbling advice, cathartically revealing snapshots from her adventures in youth, and the empowerment found in sharing these stories with others. In 2015 Mitski is poised to continue delivering her particular flavor of soul-baring rock, and tour throughout North America and beyond.

MITSKI / BURY ME AT MAKEOUT CREEK

Mitski - Bury Me At Makeout Creek
$24.98
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Multi-instrumentalist Sufjan Stevens made a couple of records that slipped under the radar before his third, the astoundingly lush post-rock concept album GREETINGS FROM MICHIGAN, gained him critical attention and cult status. Seemingly bent on not repeating himself, Stevens scales down MICHIGAN's grandeur to a minimalist palette for SEVEN SWANS. Where the previous album was instrumentally comparable to Tortoise or Stereolab, SEVEN SWANS is practically lo-fi, based around simply strummed acoustic guitars, banjo, organ, and hushed vocals.
Sufjan Stevens - Seven Swans
$23.98
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Shovels & Rope consists of two artists with music careers prior to joining forces. Cary Ann Hearst is an acclaimed singer/songwriter who has been featured on NPR's Weekend Edition and had her song "Hell Bells" used in HBO's True Blood. Michael Trent is a celebrated solo artist and the former singer/guitarist of band The Films. O' Be Joyful is a raw, honest, gritty offering with pure energy, distinctive harmonies and stellar songwriting.
Shovels & Rope - O' Be Joyful [Vinyl]
$26.98
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Amongst its twelve tracks, James Bay s Chaos And The Calm features the singles Hold Back the River and Let It Go. Driven by his soulful delivery, captivating storytelling, and inimitable spirit, he s poised to capture the attention of listeners worldwide within the next year. Already, numerous tastemakers are predicting big things for BAY in 2015. A multitude of major news sources have chosen him as one of 2015 s Artist to Watch. In addition The New York Times named Let It Go as one of 2014 s best songs.
James Bay - Chaos And The Calm [Vinyl]
$29.99
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Reissue of the third album by The Pogues using 2004 remastered audio
The Pogues - If I Should Fall From Grace With God [Vinyl]
$24.98
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Lost Dog Street Band return with their 4th studio album. This time exploring darker themes of isolation, chemical dependence, and struggle. The inclusion of a full rhythm section makes this album sturdier than past efforts. Vinyl etching in place of the B-side center label. Download card included.
Lost Dog Street Band - Rage & Tragedy [Download Included]
$24.98
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Nathaniel Rateliff has written and recorded his first solo record since the explosive debut of his work together with The Night Sweats. And It's Still Alright, is an intensely personal 10-song album of vibrant country-blues, badland ballads, ornate Americana and jazz-inflected R&B. Rateliff's warm baritone, ranging from gently hushed to a guttural howl, imbues these superbly drawn character studies with raw, naked emotion.


And It's Still Alright was produced by Rateliff, Night Sweats' drummer Patrick Meese and James Barone of the indie band, Beach House and primarily recorded at National Freedom in Cottage Grove, Oregon, the studio formerly owned by the late Richard Swift (who produced both Night Sweats recordings). While Rateliff, Meese and Barone handled much of the album's instrumentation, several friends make contributions including Night Sweats' guitarist Luke Mossman; bassist Elijah Thomson (of the indie band Everest); keyboardist Daniel Creamer (of The Texas Gentlemen); steel guitarist Eric Swanson (touring musician for Israel Nash) and renowned string arranger Tom Hagerman (of the instrumental vocal ensemble DeVotchKa), whose delicate orchestrations beautifully complement the album's deep emotional terrain.
 
And It's Still Alright's many highlights include album opener ''What A Drag,'' which sketches a vivid portrait of a disconnected relationship, ''Tonight #2,'' a haunting, end-of-the-world waltz, ''Time Stands,'' detailing an epic, desperate struggle for love and the elegiac ''Rush On,'' a heart-breaking requiem for Swift.

Unguarded and unflinchingly real, Nathaniel Rateliff's And It's Still Alright expands on the sounds and styles he's used to great affect across both his band and solo careers. It's a commanding next step in Nathaniel's evolution into one of America's most vital and essential songwriters.

Nathaniel Rateliff & The Night Sweats - And It's Still Alright [Coke Bottle Green LP]
$24.98
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Remind Me Tomorrow was written in stolen time. In the four years since Are We There, Van Etten guest-starred in The OA, performed in David Lynch's Twin Peaks revival, and wrote her first film score and song for TV - for Kathering Dieckmann's Strange Weather Tig Notaro's show Tig, respectively. Van Etten also had a child, and began studying psychology. In the scraps of hours between these endeavors, Remind Me Tomorrow was born. Working with producer John Congleton, Remind Me Tomorrow reveals piano keys that churn, deep drones, distinctive sharp drums. Originally a piano ballad, "Comeback Kid" evolved into a dark, menacing anthem. "Seventeen" began as a Lucinda Williams-esque dirge, but winds up a star-spangled nod to Springsteen, exploring gentrification and generational patience. The breadth of Van Etten's new passions have inflected Remind Me Tomorrow with a wise, warped-time perspective. She explains, "I want to be a mom, a singer, an actress, go to school, but yeah, I have a stain on my shirt, oatmeal in my hair. I feel like a mess, but I'm here. Doing it. This record is about pursuing your passions." This is Remind Me Tomorrow, fusing a pained attentive realism and radiant lightness about new loves.

Sharon Van Etten - Remind Me Tomorrow [LP]
$26.98
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Zooey Deschanel and M.Ward are She & Him, and Classics is their new album, a compilation of timeless covers, that have been previously recorded by artists such as Billie Holiday, Johnny Mathis, Dusty Springfield, Louis Armstrong, and Elvis Costello.
She & Him - Classics [Vinyl]
$22.98
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Recorded during his 2008 world tour. For over four decades, Leonard Cohen has been one of the most important and influential songwriters of our time, a figure whose body of work achieves greater depths of mystery and meaning as time goes on. His songs have set a virtually unmatched standard in their seriousness and range. Cohen remains one of the most compelling and enigmatic musical figures of his era, and one of the very few of that era who commands as much respect and attention The set was taken from his July 17, 2008 performance at London's O2 Arena during his world tour last year. The Live in London release fully captures and recreates the extraordinary show from that tour that earned Cohen more than 80 five-star reviews for his performances.
Leonard Cohen - Live In London [LP]
$46.98
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On What It Is, the Houston, TX troubadour Hayes Carll is leaving the past behind. “I want to dig in so this life doesn’t just pass me by. The more engaged I am the more meaning it all has. I want that to be reflected in the work,” Carll says. The new album covers a broad range of topics both timely and constant; the desire to bridge the country’s political divide, the ups and downs of relationships, and the challenge to stay present in your life as it goes by. What It Is continues the artistic risk-taking initiated by 2016’s Lovers and Leavers; his voice is strong and assured, and his songwriting as truthful as ever.

Hayes Carll - What It Is [LP]
$24.98
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Hallelujah Anyhow is the next studio album from Hiss Golden Messenger, out September 22 worldwide on Merge Records. Its ten new songs, penned by HGM principal M.C. Taylor, were recorded with Brad Cook, Phil Cook, Josh Kaufman, Darren Jessee, Michael Lewis, and Evan Ringel. Alexandra Sauser-Monnig, Tift Merritt, Skylar Gudasz, Tamisha Waden, Mac McCaughan, and John Paul White provided vocal harmonies. From the desk of M.C. Taylor, July 18, 2017: I’m from nowhere. That’s the way I feel about it now, right at this moment. Music took me and made me and gave me a purpose and I built my world with it, and now my geography is a musical one, forever. And when I break, when I think about running as far as I can, I remember that there is nothing that does me like music, and I might as well be a poor man in a world of my own device. Hallelujah anyhow. Rhythm? I learned it over twenty years in the back of rented vans, in attics and back rooms—hard places to get to, harder places to get out of. And now rhythm is my clock and I live by it. We all do. But it’ll kill you if you’re not careful. It might kill you even if you are. Hallelujah anyhow. I see the dark clouds. I was designed to see them. They’re the same clouds of fear and destruction that have darkened the world since Revelations, just different actors. But this music is for hope. That’s the only thing I want to say about it. Love is the only way out. I’ve never been afraid of the darkness; it’s just a different kind of light. And if some days that belief comes harder than others, hallelujah anyhow. Whatcha gonna do when the wall comes down? When the wall comes down? What you ought to do is let it lie—let it lie And in the gathering darkness vow to never go back It was built by man and you can tear it down Tear it down, tear it down Step back, Jack, from the darkness I’ve seen darker things than night. Hallelujah anyhow.

Hiss Golden Messenger - Hallelujah Anyhow [LP]
$18.98
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Patty Griffin represents an extraordinary new chapter for this incomparable singer-songwriter and immediately stands among the most deeply personal recordings of her remarkable two-decade career. The album -- which follows 2015's GRAMMY Award-nominated Servant Of Love -- collects songs written during and in the aftermath of a profound personal crisis, several years in which she battled -- and ultimately defeated -- cancer just as a similar and equally insidious disease metastasized into the American body politic. Yet as always, like very few others, Griffin's power lies in how, as Holly Gleason in the Martha's Vineyard Gazette observed, ''her songs seem to freeze life and truth in amber.'' It's in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft.

Patty Griffin - Patty Griffin [2LP]
$29.98
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After spending the last six years making rock albums, Todd Snider is going back to folk. Cash Cabin Sessions, Vol. 3 was recorded at Cash Cabin in Hendersonville, TN. Snider wrote the set of songs and played all the instruments on the record, displaying his growth as a musician and vocalist. Of the five songs on which Snider serves up his humorous brand of socio-political commentary, three are performed in the talking blues style. He even had his friends, Jason Isbell and Amanda Shires, contribute backing vocals on a few of the tracks. If Snider is anything, he is a true artist, and he reminds us of that on Cash Cabin Sessions, Vol. 3. At a point in time when the world has never been more complicated and confusing, with people getting louder and louder, Snider did a 180, went back to his roots as a folksinger, to a simpler, quieter form of expression; and it might be what the world is waiting to hear; a man, his guitar, and the truth.

Todd Snider - Cash Cabin Sessions, Vol. 3 [LP]
$19.98
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Wand

Plum

Vinyl: $31.98 Buy

Vinyl LP pressing. Plum is Wand's fourth LP since the band formed in late 2013, but their first new album since 2015. After a whirlwind first two years of writing, recording, and touring, their newest document focuses teeming, dense, at times wildly multichromatic sounds into Wand's most deliberate statement to date, with a long evening's shadow of loss and longing hovering above the proceedings. In late winter of 2016, the band - Cory Hanson (guitar, vocals), Lee Landey (bass) and Evan Burrows (drums) - expanded their core membership to include two new members - Robbie Cody (guitar) and Sofia Arreguin (keyboards, vocals). The change in lineup naturally led to a shift in working method. The songwriting process was relocated to the practice space, where for several months on and off the band improvised while recording and archiving as much as they could manage. And while previously Wand songs had often been brought to the group substantially formed by Hanson, now seedling songs were harvested from a growing cloudbank of improvised material, then fleshed out and negotiated collectively.
Wand - Plum
$31.98

        
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