Record Store Day 2025 Crystal Clear vinyl pressing of the full album presented in the form of the band’s original demos. This edition’s album sleeve and associated packaging feature unseen images and a design evocative of its 1985 release. Featuring the demo of “Take On Me” and the demos of two other world-wide hits, “The Sun Always Shines on T.V.” and the album’s title track.

Tracklist
1. Take On Me (Demo)
2. Train of Thought (Demo)
3. Hunting High and Low (Demo)
4. The Blue Sky (Demo)
5. Living a Boy's Adventure Tale (Early Version)
6. The Sun Always Shines on T.V. (Demo)
7. And You Tell Me (Demo)
8. Love Is Reason (Demo)
9. I Dream Myself Alive (Demo)
10. Here I Stand and Face the Rain (Demo)

Hard-edged US pop band, Belly, was founded by former Throwing Muses member Tanya Donelly, following her short stint with The Breeders. King is their second studio album on Sire Records, and this is the first reissue on vinyl since the album came out in 1995. Pressed on green vinyl and available in North America for Record Store Day 2025.

Tracklist
Side A
1. Puberty
2. Seal My Fate
3. Red
4. Silverfish
5. Super-Connected
6. The Bees
Side B
1. King
2. Now They’ll Sleep
3. Untitled And Unsung
4. L’il Ennio
5. Judas My Heart

Includes the final live performance of “Summertime Blues” with Dickie Peterson from 2008, along with seven studio cover songs from the ‘90s, pressed on blue and silver splatter vinyl.

Tracklist
Easy Rider, Piece of My Heart, Roadhouse, Foxy Lady, Sympathy with The Devil, AllThe Girls In The World, No Relief, Summertime Blues (live)

Following the RSD Black Friday single “Rug Island (Full Version)”, Demon Records presents, exclusively for Record Store Day, a limited edition 7” Picture Disc single of “Burger Dog” from the newly released minisode of the same name, with the Bluey Theme Tune (Burger Dog Version) on the B side.
Featuring exclusive Bluey artwork for its first physical release. 

Tracklist
A: Burger Dog   B: Bluey Theme (Burger Dog Version)

John Braheny’s rare Some Kind Of Change LP, issued on the small Pete label out of Los Angeles in 1968, has the unusual distinction of existing like a psychedelic skeleton in his closet. He never made another record; this one is still largely under the radar even for long time deep divers into buried treasure from the vintage ‘60s era.
He became quite famous behind-the-scenes in the songwriting and music biz as the top dog LA songwriting coach for people like Lindsay Buckingham, Stevie Nicks, Warren Zevon, Janis Ian, Stephen Bishop and countless others including one of the most successful hit songwriters of all time, Diane Warren, for whom he critiqued 150 songs when she was 15 years old. You gotta wonder if he played his LP for any of them back in the day or hid it away, since it is pretty far out underground stuff, perhaps too far out if your life’s work is steering budding songwriters towards the top of the charts.
It is a full-on psychedelic classic to my ears, every track a winner, with an unusual blend of earthy folk rock veering off into otherworldly atmospheres. Though not a concept album it hangs together like a journey, the psychedelia peaking with an epic extended final track in classic late ‘60s underground mind expansion style.
John Braheny was born in Iowa on December 9, 1938, first appearing on the early ‘60s LA folk scene and gigging around the folk circuit out west, there is easily findable video of him on the internet performing live in Vancouver in 1965 if you wanna hear him before the psychedelics kicked in. One of the remarkable things about the LP is that he also produced it, indicating no compromise in getting what was in his head captured on tape the way he wanted it. His arrangements are elaborate, bursting with creativity without losing focus, the songs are warm and human at the core with his innovative use of electronics and effects taking them to uncanny places. He’s a proto singer-songwriter foreshadowing the emergence of that LA scene via a side trip through the Twilight Zone. Familiar and mysterious simultaneously. This psychedelic skeleton in John’s closet is in my personal pantheon of the best late ‘60s LA solo artist mind blowers right along with very different sounding but astonishing LPs by Darius, Arthur Lee Harper, Damon and the likes.
The players on the album include Rick Cunha on guitar and help with production, he made some LPs of his own. Lisa Kindred on backing vocals came out of the folk scene and is best known for the LP she made with notorious cult leader Mel Lyman in 1969 on Reprise Records titled The Lyman Family with Lisa Kindred - American Avatar. Bass, drums, trombone, trumpet are provided by session musicians with backgrounds in west coast jazz... Don Waldron on tuba is an unusual credit for a psychedelic LP but he also appears on albums by Frank Zappa, Dr. John, and It’s A Beautiful Day. One of the two bassists is Colin Cameron, who also appears on the rare psychedelic Richard Twice LP on Philips Records. John Braheny plays guitar, violin, does the lead vocals and the way-out experimental electronics that kick this record into a higher key.
John’s first visibility as a songwriter in the world at large came with his song “December Dream” which is the opening track on the Stone Poneys with Linda Ronstadt LP Evergreen Vol. 2, also issued in 1968. Soon after he founded the Los Angeles Songwriters Showcase with Len Chandler, published the Songwriters Musepaper, did radio on Pacifica flagship station KPFK, and in 1988 wrote a book which is considered the songwriter’s bible, “The Craft And Business Of Songwriting”, for which he is best known. It is still in print.
He was known around the biz as “the songwriter’s best friend” and the Some Kind Of Change LP merely a footnote in his career. For us psychheads, however, it is one helluva dosed footnote! Several promo 45s were issued at the time so the label did try to work it, without success. The arc is long but this arrow flies higher than ever 56 years on!
GREY DAY opens the LP with warm unassuming transitional acoustic folk rock into singer-songwriter territory. You can hear echoes of later ‘60s Roger McGuinn and Gene Clark in the vocal but with a more world-weary resignation perfect for the relaxed existential vibe of a grey day where you just wanna sleep your life away. Delicious female backup vocals and a few serene French horn lines give no clue that this trip is gonna leave the laid back porch behind soon... it’s a severe grower as well.
DECEMBER DREAM organically moves towards a more psychy atmosphere, delicate acoustic finger picking and voice reminiscent of early Tim Buckley utilizing spacious drone moves for the verses and vibrant but melancholy full sound on the refrains. The female backup vocals shine again unobtrusively, the lyrics are poignant and complex reflections about a woman and how she affects his mind. Bittersweet, introspective.
DON’T CRY FOR ME shifts gears completely using a tuff bluesy stalker outlaw groove to convey where his head is at as far as society at large goes. It has the same message Jimi Hendrix presented in “If 6 Was 9”, addressed to a straight world left far behind by a deeper way of living free. “I been through so many changes, I know I’m not the same... if I’m not the way that you want me, you can’t make me feel ashamed... I’m free”. The swaggering confidence in the vocal verges on effortless sneering with lines like “I don’t expect you to understand, don’t even care if you’re tryin’, you had your time and now it’s my time”. Spooky backup vocal moves, we are psychedelic now.
TOUR LINE LADIES is where the tuba and horns come in and on one level the most experimental track on the LP despite having no use of electronics or effects. It opens with people recorded inside one of those Hollywood tour buses as they make their way past famous landmarks, movie star homes, etc. and ends on Sunset Strip with the tourists gawking at the hippies. This field recording runs through the entire 5:19 ride as the music alternates between a surreal carnival old timey brass band waltz and a backwoods funk roots rock groove with freaky vocals above both. I have seen vintage footage of ‘60s tour busses amongst the hippies, this the only song I know about it.
SOME KIND OF CHANGE ends side one with full blown psychedelic moves right from the start, effects, oscillators, backwards drums and anger back at the system for messing up the world. Terrific tuff stalker groove again, alienated pissed off attitude with lyrics like “Afraid to lose your power, afraid to lose your face, kill to keep your manhood, keep me in my place”. 5:47 of heavy psychedelic bliss here with fuzz outro...
LONG WAY HOME opens side two with a straightforward relaxed folk rock pop ambience and can’t go home and have things be the way they used to be lyric. It’s heartfelt and clearly resides at the start of side two for its radio friendly appeal. WARM is just that, in a haunted way. It’s a positive song yearning to turn on the listener to the peace of mind the singer has found. Subtle use of tremolo and leslie effects and a sparse use of electronics add poignance to the proceedings. Warm.
REASON FOR LEAVING has the classic cadence and chord changes of early folk rock with sparse to the point backup and another vocal that brings to mind the earnestness and sincerity of early Tim Buckley. Delicate and assured, resigned to the end of a relationship, an ever growing silence between them, no drama, faded love.
FREE FALL is an ‘acid-folk’ masterpiece coming as the penultimate track on the album. It resides in a space akin to the most psychedelic folk moves Pentangle made circa their “Basket Of Light” LP. Hypnotic eerie trance folk with brilliant use of medieval vibed choral colorings. The words match the sound, brilliantly arranged.
SILVER CORD is the 8:55 long epic closer, opens with electronics and slips into a late-night after-hours jam atmosphere. Sparse but inventive interplay between guitar, bass and drums are shot through with ethereal psychedelic wind effects. There are several movements, a bluesy jazzy groove, raga trance, some lyrical fingerpicking in the middle. There are no vocals, the electronics do the talking here. The tight-but-loose feel in this relaxed jam never gets old for me, the sort of track that could go on for hours and not take one wrong step. Never boring as it is loaded with uncluttered detail. The blend of west coast rock combo and electronics feels like a long lost Fifty Foot Hose basement improvisation... way after hours!

Tracklist
1. Grey Day
2. December Dream
3. Don’t Cry For Me
4. Tour Line Ladies
5. Some Kind of Change
6. Long Way Home
7. Warm
8. Reason For Leaving
9. Free Fall
10. Silver Cord

French composer Sylvain Carel started life digging on the classics like Dvorak and Holst, and then he logically developed into a Prog-head.  Thrilling to the expansive sounds of Van Der Graaf Generator and King Crimson, he would delve deeper into kosmische Krauters like Amon Düül and Tangerine Dream. His Strat-rocking 20s led him to studio work backing and writing for other performers and eventually, developing his own vision. With an early love of the ARP synthesizer, it was a natural move into soundtracks and evocative soundscapes. This would lead to a serious study of Musique Assistée par Ordinateur (Computer-Assisted Music), and Carel building his own studio to accommodate all his ideas. 

Carel also filled his head with the sounds of the globe, traveling to Africa, India, and the Middle East, and all these influences spilled out on his first solo LP released in1982, tellingly titled Look Over the Nile. Like most sought-after private presses, the album displays a deceptively simple cover, masking a rich, even mystical tapestry of sonics that transcend time, place or waves (new? olde? the seas?). Carel continues to create symphonic ambient works to this day but Look Over the Nile might be his finest daze.

LOUKSOHR is a nearly-misleading but brilliantly bloopy opener. It's one unique slice of wedding-band techno-funk from the Star Wars Cantina Band. Boasting an insanely primitive drum machine stammer, unexpected dubby key vamps, YMO melodiousness,  and a constantly morphing sameness--it's simply not like anything you've ever heard.

THE NEXT DUNE begins with ambient Cluster pulses and shimmers, but then gets down like an overzealous-Vangelis audition to join in supergroup Harmonia. The veritable suite then hikes into a full-on Dinger-ian Viva! (La France) anthem. The Stratosphear/Autobahn-like propulsion one/ones the listener into a metronomic trance, a spiraling dream of subtle phases and increasingly complex melody tones.

WATERS is dreamy newest age that comes on like 'In the Air Tonight" before being drowned in creamy/bloozy multi-tracked space guitar that'd make Davey Gilmour blush. The near classic rock fist-pumper then descends into a pure cosmic electronic K-hole.

SOFT SOFA RIVER displays a nearly Heldon-ish fried experimentation. The beatless number has it's own dystopian, sequenced internal rhythm , before building into a buzzing (but purty) wall of synth.

COBRA conjures a rootsier La Dusseldorf, and yet evokes a cool early 80s tv show theme, especially once the warbly-but-wailing (and hammer-on-ing) guitars ooze in (think Knight Rider or Hunter? A Buck Rogers hedonistic space-dance number?). The epic also has a few nice "movements" into blissed minimalism and full on geetar rok.

VISION OF THE END isn't as bleak as it sounds, but more like some Cure-ish/Lynchian post-surf punk, with a sleazy drum machine on the "Latin rock" setting. The over-chorused guitar falls somewhere between Steve Hillage and Andy Summers, and I'm not complaining!

IN THE CRISTAL is a short-but-sweet endcap, which evokes the great Gottsching playing guitar like it was a dulcimer. With kosmik Tomita-esque waves flowing in and out, it's one glorious and fitting closer.

Tracklist
1. Louksor
2. The Next Dune
3. Waters
4. Soft Sofa River
5. Cobra
6. Vision Of The End
7. In The Cristal

Bobby Charles was a Louisiana-born singer-songwriter known for swamp pop hits like "See You Later, Alligator" and "Walking to New Orleans." This Bobby Charles rarities collection includes material recorded during the sessions for his self-titled debut album on Bearsville and includes contributions from members of The Band, as well as Dr. John, Ben Keith and David Sanborn. A Record Store Day 2025 exclusive featuring all content that has not previously been available on vinyl.

Tracklist
SIDE A
A1. NEW MEXICO (DEMO)
A2. HOMEADE SONGS
A3. ROSIE
A4. DON’T BE SURPRISED
A5. YOU CAME ALONG
A6. WHAT ARE WE DOING?
SIDE B
B1. PLEASE PLEASE
B2. KEEP COOKIN’ MAMA
B3. COWBOYS AND INDIANS
B4. NICKLES DIMES DOLLARS [4:00]
B5. BETTER DAYS [3:37]
B6. JEALOUS KIND [3:50]

This collection of ten tracks was recorded over a month at XCX’s LA residence and in the UK, alongside A.G. Cook, with production from Sophie, Easy FX (A.G. Cook + EASYFUN), John Hill, Life Sim and Danny L Harle.
The mixtape, named MistaJam’s Radio 1 ‘Hottest Record’, is a further example of Charli’s genre-defying vision and forward-thinking approach to pop culture, drawing inspiration from an array of life experiences and underground sounds.
Pressed for Record Store Day 2025 on Apple colored vinyl.

This is a newly remastered 2LP yellow coloured vinyl version of The Colourfield's debut album, Virgins & Philistines. Following on from his previous groups, Terry Hall formed The Colourfield, releasing two albums and handful of singles. Their debut was produced by famed producer Hugh Jones, who brought out the diverse sound mixing 1960s and 1970s pop with melodies string arrangements.
This newly expanded edition includes a bonus disc with non-album singles and b-sides.

Tracklist
Side 1: Thinking of You / Faint Hearts / Castles In The Air / Take / Cruel Circus.
Side 2: Hammond Song / Virgins & Philistines / Armchair Theatre / Yours Sincerely.
Side 3: The Colour Field / Sorry (Original Version) / Pushing Up The Daisies / Windmills of Your Mind / My Wild Flame / Little Things.
Side 4: Castles In The Air (Full Length Version) / Your Love Was Smashing / I Can’t Get Enough of You Baby / Things Could Be Beautiful / Frosty Mornings.

The first-ever archival release from Warner's vaults featuring the legendary songwriter, composer, and producer Ry Cooder. This collection includes a rare solo performance recorded at The Main Point in Bryn Mawr, PA, on November 19, 1972. While one track from this performance appeared on a Warner promotional release in 1972, this marks the first time the entire set will be available. On Black Vinyl.

Tracklist
1. Police Dog Blues
2. Comin’ in on a Wing and a Prayer
3. Someday Baby Blues
4. Tattler
5. Vigilante Man
6. F.D.R. in Trinidad
7. Ditty Wah Ditty
8. Jesus on the Mainline
9. Goin’ to Brownsville

Experience the raw energy and dynamic performance of Cypress Hill with Live at the Fillmore, now available on vinyl for the first time! Recorded at the iconic Fillmore in San Francisco on August 16, 2000, this live album captures the legendary hip-hop group’s powerful stage presence and musical prowess. Relive the excitement with electrifying live versions of hits like “Hand on the Pump,” “Insane in the Brain,” “Cock the Hammer,” and “I Wanna Get High.” The setlist also includes fan favorites such as “A to the K,” “Riot Starter,” and “(Rock) Superstar,” among others.

Tracklist
Side A (16:43)
Hand On The Pump (3:55)
Real Estate (3:16)
How I Could Just Kill a Man (3:22)
Insane In The Brain (3:36)
Pigs (2:34)
Side B (15:15)
Looking Through the Eye of a Pigs (8:02)
Cock the Hammer (3:43)
Checkmate (3:30)

Side C (16:08)
Can’t Get the Best of Me (3:59)
Lick a Shot (3:37)
A to the K (4:55)
I Ain’t Goin Out Like That (3:37)

Side D (16:56)
I Wanna Get High (2:11)
Stoned Is the Way of the Walk (1:58)
Hits From the Bong (2:52)
Riot Starter (3:49)
(Rock) Superstar (6:06)

This record hasn't been available on vinyl for decades! One of the very early records in the MPS catalogue and long a collector’s item.
Recorded in 1965, a time when Davis lived in Europe, working with such legends as Kenny Clarke, Eric Dolphy, Elvin Jones and Art Blakey. On Happy Girl he is accompanied by Woody Shaw on the trumpet, Larry Young on piano, bassist Jimmy Woode and drummer Billy Brooks. Available again for the first time for RSD 2025! 12" LP, Black, 180g, Gatefold including booklet.

Tracklist
1. The Flute In The Blues
2. Spring Can Really Hang You Up The Most
3. Happy Girl
4. Evolution
5. Theme From Zoltan
6. Along Came Byrd
7. Mister E.

“Bigger” and “Respect” were originally recorded in 2004 during the studio sessions for The Grind Date album but never made it through to the finished version we know today.
Now, as part of the 20th anniversary celebration of that classic album, the band have unearthed these two awesome tracks from the archives. Presented here for the very first time on DJ-friendly double-pack 7” vinyl, these two newly-discovered tracks are paired with the instrumental versions of “Rock Co. Kane Flow” and “The Future,” exclusively for Record Store Day 2025.

Tracklist
A. Bigger
B. Rock Co.Kane Flow (Instrumental)
A. Respect
B. The Future (Instrumental)

Approaching 20 years as one of Los Angeles’ hardest rocking outfits, Dead Sara’s debut for Warner Records, Ain’t It Tragic - the group’s third album - is a “musical rebirth for the band.” With Emily Armstrong (lead vocals, rhythm guitar), Siouxsie Medley (lead guitar, backing vocals) and producer Sean Friday (drums, backing vocals), Ain't It Tragic, was originally released in 2021 on CD and digital. The 11-track album featured two singles, "Heroes" and "Hands Up. This the first vinyl release of Ain't It Tragic, pressed on Lemonade Yellow color vinyl as a limited edition exclusive for Record Store Day.
Emily Armstrong recently joined Linkin Park as their co-lead vocalist and songwriter, and is featured on their latest album, From Zero.

Tracklist
SIDE A
1 Starry Eyed
2 Good Times
3 All I Know Is That You Left Me For Dead
4 Hypnotic
5 Heroes
6 Hands Up

SIDE B
1 Lover Stay Wild
2 Gimme Gimme
3 Light's Out
4 Uninspired
5 Losing My Mind

Grammy-winning singer-songwriter Jackie DeShannon got her start singing gospel at home and in church as a child in her native Kentucky, and then singing country songs in her teens on her own weekly radio show, followed by rockabilly in the late 1950s. But her career really started in full swing after she moved to Los Angeles in the early 1960s and signed to Liberty Records and its song publishing arm, Metric Music, where she would write on her own as well as in collaboration with Sharon Sheely, Randy Newman, Jack Nitzsche, and Jimmy Page. Her recordings during this time initially emphasized rhythm-and-blues material and then embraced the folk era blending with west coast country rock and the Southern California sound.

As a staff member of Metric Music, Jackie created a countless number of demo recordings. Although some of these have appeared on unofficial/bootleg CDs over the years and a few were sprinkled in her with her Liberty/Imperial releases, there has never been a complete authorized commercial issue of DeShannon demos until now.

Covering the years 1966-68, LOVE FOREVER offers over 16 demo selections by Jackie which reflect the decade's shift to a more introspective songwriting approach. Although Jackie enjoyed major hit singles such as "What the World Needs Now Is Love" and her evergreen anthem "Put a Little Love in Your Heart," her craftsmanship as a tunesmith took a more personal tack here. And with recollections by Lady Love herself incorporated into Richie Unterberger’s liner notes as well as photographs from her private collection, LOVE FOREVER paints a picture of a timeless artist evolving with the times, on her way to new creative territory in the 1970s with career crowning compositions and recordings at Capitol, Atlantic, Columbia, and Amherst Records. And best of all, 10 of the 16 tracks have never appeared ANYWHERE (and only one on vinyl), so most of the tunes and tracks on LOVE FOREVER will be new even to DeShannon devotees. Pressed for Record Store Day in Valentine red with white swirl vinyl limited to 1250 copies worldwide.

Tracklist
A1. Where the Roses Go
A2. Nicole
A3. Children & Flowers
A4. Only You Can Free My Mind
A5. The Greener Side
A6. More Than I Am
A7. Effervescent Blue
A8. Love Forever Stay

B1. A Lot of Lovin’
B2. Rose Colored Glasses
B3. Girl in Love
B4. Distraction
B5. More Time in the Day
B6. No, My Love
B7. There Comes a Time
B8. It Shines on You Too

Grammy Award-Winner, Blues Hall of Fame, Rock n Roll Hall of Fame, Songwriters Hall of Fame - Next to Muddy Waters, Willie Dixon is recognized as the most influential person to shape the post–World War II sound of the Chicago blues. 

What Happened to My Blues is considered one of Willie Dixon's finest albums as a group leader. This vinyl package includes an OBI side strip, cardboard jacket, printed inner sleeve and Bright Orange color vinyl.

Moon Cat
What Happened to My Blues
Pretty Baby
Got To Love You Baby
Shakin' the Shack
Hold Me Baby
It's So Easy to Love You
Oh Hugh Baby
Put It All in There
Hey Hey Pretty

GEEZYWORLD 2 - which follows his acclaimed 2021 solo debut album, GEEZYWORLD - includes breakout hit single, "GEEKALEEK (Ft. Cash Kidd)," as well as the recently released special bonus remix, "GEEKALEEK REMIX (Ft. BIA)." Now boasting over 17.5M+ global streams and counting, "GEEKALEEK" - which sees Ohgeesy flowing over a repurposed sample of Petey Pablo's 2003 crunk smash, "Freek-A-Leek" - was met by instant praise from such outlets as REVOLT and Passion of the Weiss's "The Rap-Up," which declared it "an early contender for song of the summer."

YUIMA ENYA / J.A.K.A.M. / DJ KENSEI: Three exceptionally talented Japanese artists from diverse backgrounds of ages and careers, presenting their soulful work "Norito" as one album for the first time. It contains 6 songs including "Waidai", "Ouka", "Hyottoko", and "Hiotoko".

YUIMA ENYA is a talented singer who specializes in sublimating jazz and world music into modern beats and she is the lead singer of the modern funk band SUPER CATS.

J.A.K.A.M. as JUZU a.k.a. MOOCHY is a leading DJ/beatmaker/producer who has been actively involved in the Japanese underground scene and around the world for many years and he also continues to expand his field beyond his own solo works, including ZEN RYDAZ and MYSTICS.

DJ KENSEI is a recording artist, music producer, and remixer, who started DJing and music making as early as in the mid-80s, creating original sound spaces with his diverse selection and sound control, releasing many mix CDs, vinyl records, and cassette tapes under various names including DJ KENSEI, Indopepsychics, Final Drop, etc.

Side X features "Waidai", the first collaboration between J.A.K.A.M. and Yuima, which was highly rated on streaming services since its release in May 2024, "Ouka" with the powerful beat of 'Awaodori', a traditional Japanese folklore dance, and Yuima's vocals that seem to go beyond the sky, and "Waidai (MaL RMX)" by MaL (PART2STYLE), who has added the beat arrangement of Amapiano, a genre derived from house music in South Africa.

Side Y features the 9-minute-plus epic "Hyottoko", fused with the stripped-down beat of DJ KENSEI, Yuima's emotionally rich vocals and poetry reading, rapper Hon Da Q's storytelling, heart-touching rap by rapper YUKKO! who is known for the Japanese Hip-Hop unit "HAHAOYA BUNKAMURA", and the spiritual musical instrument performance of GoRo the Vibratian, who plays original instruments with a sense of frequency inherited from the DNA of ancient times, "Hiotoko" featuring Yuima's soothing and soulful vocals, and "Bliss", a beatless version of "Hyottoko" with a different musical arrangement.

"Norito" is the first-ever collaborative album to be released by these three prominent Japanese artists especially on Record Store Day 2025.

Tracklist

Side X : YUIMA ENYA + J.A.K.A.M.
1. Waidai
2. Ouka
3. Waidai (MaL RMX)

Side Y : YUIMA ENYA + DJ KENSEI
1. Hyottoko (feat. Hon Da Q, YUKKO! and GoRo the Vibratian)
2. Hiotoko
3. Bliss

Side Y Bonus tracks
4. locked groove 1 - Hyottoko
5. locked groove 2 - Bass Kalimba
6. locked groove 3 - Bamboo Flute

Tracklist
TRACKS:
LP One, Side A (The Film Mixes):
1. Main Title (From The Motion Picture The Serpent And The Rainbow) (4:10)
2. Buried Alive (1:15)
3. Out Of Jungle (2:24)
4. Vision (2:15)
5. Question Montage (1:14)
6. Into Graveyard (1:01)

LP One, Side B (The Film Mixes):
1. Christophe (2:45)
2. Pigs In A Hotel/Goat (1:09)
3. Procession/Dream (4:20)
4. Love Scene (2:08)
5. Dragged Into Office (1:00)
6. Crone In Grave/Door (:44)
7. Dennis Dumped (:52)
8. Powder Making (1:51)

LP Two, Side C (The Film Mixes):
1. Nightmare (2:18)
2. Head Bed (:52)
3. Leaving Haiti (1:21)
4. Mozart Leaves (:31)
5. Back To Haiti (1:07)
6. Airport Grab (:32)
7. Dennis Powdered (3:11)
8. No, No, No Rest (2:07)
9. Digging Out Grave (2:31)

LP Two, Side D (The Film Mixes):
1. Revolution (3:51)
2. Battle For Souls (3:00)
3. Nailed (2:25)
4. End Credits Theme (From The Motion Picture The Serpent
And The Rainbow) (5:13)

This set features the first audio-only release of Neil Finn’s classic 1998 appearance on the award-winning TV program "Sessions At West 54th" recorded live in New York City. Featuring songs from the highly acclaimed New Zealand singer-songwriter’s first solo album Try Whistling This as well as hits from his two lauded previous bands, Split Enz and Crowded House – Sessions skillfully switches back and forth between ballads and rockers, showcasing Finn’s top shelf artistic chops.

Tracklist
Disc 1 SIDE A
1. David Byrne Intro
2. Try Whistling This
3. Addicted
4. Fall At Your Feet
5. Don't Dream It's Over

Disc 1 SIDE B
1. Twisty Bass
2. King Tide
3. I Got You
4. Astro
Disc 2 SIDE A
1. Faster Than Light
2. Loose Tongue
3. Souvenir

Disc 2 SIDE B
1. She Will Have Her Way
2. Truth
3. Last One Standing
4. Sinner

Liam Finn is back with Hyperverse, a high-energy, fun, and thoughtful record that redefines the artist-audience relationship. This groundbreaking album was entirely conceived, performed, and mixed live on Twitch, offering fans an unprecedented glimpse into the creative process. The 10 tracks on Hyperverse highlight Liam Finn's versatility as a musician. From his signature melodic beauty to the raw punk energy of his live shows, the album is a diverse yet cohesive collection that embodies his DIY spirit. Fans can expect a thrilling ride filled with unexpected twists and turns, as Finn fearlessly explores new sonic territories. Since his last acclaimed solo album The Nihilist in 2012 (Yep Roc), Liam has immersed himself in a variety of projects, including film soundtracks, a collaborative album with his legendary father Neil Finn, and a full-time role in Crowded House. With Hyperverse, he returns to the solo spotlight, delivering a fresh and exhilarating experience. The LP will have its own version of his iconic Hyperverse art along with cloudy color vinyl, exclusive to Record Store Day 2025.

Tracklist
1. I Just Want You To Be So Happy
2. The Howl
3. Suspicious
4. Purple Dress
5. Living Daylights
6. Spiraling
7. Love In Disguise
8. Unleash Your Animal
9. Con Man
10. Old Man Spider

For Flotsam and Jetsam, the heavy metal highway has been sprinkled with nails since their inception in 1981. However, despite the rough ride, the band has endured and continues to put out album after album of unapologetic heavy metal and thrash. Eleven years after releasing their classic debut album Doomsday for the Deceiver, the band returned to the label that signed them, writing more aggressive material than it had in years. High is a declaration of hate, brimming with full-fisted guitar riffs and head-bobbing beats--an unrestrained battle cry from a band that refuses to lay down and die.

Tracklist
Final Step / Hallucinational / It’s On Me / High-Noon /Your Hands / Monster / Lucky Day / Toast / High / Everything / Fork-Boy / Surgery

First-ever vinyl release of the instrumentals!
Groove to the sounds of the Free Nationals like never before! Their self-titled album, Free Nationals, is finally getting an exclusive instrumental vinyl release. Fans can experience the full sonic landscape of their signature funk, soul, and R&B fusion with no distractions—just pure, smooth vibes and great music.
Pressed on 180g heavyweight black vinyl, this limited-edition release offers pristine audio quality that showcases the musicianship and craftsmanship behind the album’s beloved soundscapes. Whether you’re a fan of their work with Anderson .Paak or just a lover of rhythm and soul, this release is a collector’s dream—an essential for DJs, audiophiles, and anyone who craves the instrumental heartbeat of this incredible record.

Tracklist
Obituaries (feat. Shafiq Husayn)|Beauty & Essex (feat. Daniel Caesar & Unknown Mortal Orchestra)|On Sight (feat. JID, Kadhja Bonet & MIKNNA)|Shibuya (feat. Syd)|Apartment (feat. Benny Sings)|Gidget (feat. Anderson .Paak & T.Nava)|RENE (feat. Callum Connor)|Time (feat. Mac Miller & Kali Uchis)|Cut Me a Break (feat. T.I.)|Eternal Light (feat. Chronixx)|Oslo (feat. Callum Connor & T.Nava)|Lester Diamond|The Rivington (feat. Conway, Westside Gunn & Joyce Wrice)

Prepare yourselves for powerful impact! From Today present their latest album, Wearing Scars Like a Crown – an explosion of energy, emotion, and authenticity. This unique blend of hardcore and metal takes you on a musical journey through experiences that shape us and make us stronger.
This album is a manifesto of strength and perseverance, encouraging you to wear your scars with pride – like a crown. Powerful riffs, aggressive vocals, and profound lyrics come together to create a cohesive whole that moves both the heart and mind.
This limited Lipstick Red vinyl edition, released especially for Record Store Day, is not only a treat for collectors but above all for fans of heavy music seeking true emotion and passion.
Join us and feel the power of From Today, a band that redefines the boundaries of hardcore and metal!

Tracklist
SIDE A:
1. Hard Lesson
2. Not For Me
3. Worst
4. Oxygen
5. Represent (F.T.H.C.)
SIDE B:
1. Crown
2. Submission
3. Boosted
4. Duty
5. From Today
BONUS TRACK:
1. Reprezentuje (F.T.H.C.)

TABOU1 is proud to present Roots Natty, a treasure trove of rare tracks from one of reggae’s most iconic groups, The Gladiators. These songs were recorded during reggae's golden era, from 1977 to 1979, a time when the genre was shaping global music culture.
During this period, alongside other reggae giants like Culture and Burning Spear, The Gladiators crafted unforgettable arrangements to match their deep, thoughtful compositions. With Albert Griffiths and Clinton Fearon at the helm, their lyrics transported listeners to a mystical land where peace reigned, Rastafari thrived, and the chaos of Babylon was left far behind.
The majority of the tracks on Roots Natty are rare Jamaican singles, featuring mixes that are harder, heavier, and more dub-infused than their album released in the West at the same time. Originally released in small, exclusive batches in Jamaica, these singles have been carefully restored and remastered, preserving their raw, authentic energy for a new generation of Reggae lovers.
With the authorization of the Gladiators, St Elizabeth, Jamaica

Tracklist
FACE A
A1 Give Thanks and Praise
A2 Give Thanks And Praise Dub
A3 Holiday Ride Extended
A4 Eli Eli Extended
A5 Black Saturday
FACE B
B1 Jah O Jah O
B2 Nyahbingi Marching On
B3 Nyahbingi Marching On Version
B4 Till I Kiss You
B5 Counting My Blessings
B6 Counting - Light Up Your Spliff Version

Karo Glazer, called “a true singing asset and the best Poland has to offer”, an artist with a four-octave expressive voice and endless musical imagination, whose talent was appreciated by Tom Waits and members of Coldplay during Songwriting Competition, announces her third – and first independent—album, #LadyDynamite.
Karo Glazer is a singer, composer, multi-instrumentalist, songwriter and music producer all the same time. She also wrote music for theatre plays and ballet. She played and recorded with both jazz and rock musicians, such as Lars Danielsson, Mike Stern, John Taylor, Klaus Doldinger, and multiple Grammy-winning producers Martin Walters (Esperanza Spalding, Spyro Gyra, Dianne Reeves) and Flemming Rasmussen (Metallica, Rainbow, Mr Big), with whom she produced also “#LadyDynamite”.
After years of performing vocal jazz and releasing “Black Sun” (7’ vinyl - the first single from her newest album with solar foil cover) Karo returns with a powerful LP and delivers a euphoric brass arrangement like Blood Sweet and Tears, trance groove like Muse, guitars like Jack White and 6/8 ballad. Her explosive voice expresses a full range of her emotions. Her highly engaging lyrics are rich and remarkable in their storytelling. and she sure is shaking it up. It’s classy but it’s rough at the same time, sprinkled with psychedelic influences based on alternative, pop and jazz roots.
For Record Store Day 2025 on single LP red vinyl.

Tracklist
SIDE A:
1. Sit
2. Black Sun
3. Don't Put a Spell On Me
4. Say That You Love Me
5. Maybe
SIDE B:
1. Wake Up
2. Lady Dynamite
3. Cool Down
4. Fabulous
5. Turn Off the Light

UNRELEASED GOBLIN SOUNDTRACK FOR 1980S CULT HORROR B-MOVIE

CLEAR FUCHSIA COLOURED VINYL WITH INSERT AND NEW LINER NOTES!

"The Other Hell" (L'Altro Inferno) is a 1981 horror movie that was explicitly filmed to exploit the success of Dario Argento's "Inferno", even if it has little to nothing in common with it. Set in a convent, the film unabashedly mixes demonic possessions, paranormal phenomena, black magic rituals and murders. Goblin's soundtrack consists of various tracks and outtakes from "Buio Omega", "Patrick" and "Il Fantastico Viaggio del Bagarozzo Mark" that have been accurately put together for this special and unique release; that's also the main reason why "The Other Hell" is a cult movie especially among American and Japanese horror fans. For the first time ever, Cinevox is releasing this score in a deluxe vinyl edition that will delight collectors and fans alike. Welcome to the (other) hell! Record Store Day 2025 exclusive clear fuchsia vinyl pressing with triple gatefold cover. Artwork by Fernando Proietti in cooperation with the Scuola Romana del Fumetto. Insert with liner notes written by Fabio Capuzzo. Audio mastered in cooperation with Fabio Capuzzo.

Tracklist
Side A:
1.Follie
2.Buio Omega (M30)
3.Buio Omega (M25 Keen)
4.Buio Omega (M32)
5.Buio Omega (M8 Ghost Vest)
6.Transmute
7.Dr. Frankenstein

Side B: 1.Buio Omega (M2)
2.Buio Omega (M7)
3.Le cascate di Viridiana
4.Metamorfosi
5.Buio Omega (Memoria)
6.Patrick
7.Pillage
8.Buio Omega (M16)
9.Metamorfosi
10.Buio Omega (M21)
11.Patrick
12.Notte

Recorded live at Good Neighbours’ sold-out, headlining London show in June 2024, Live At Village Underground features their platinum-certified, debut smash hit “Home,” favorites from their self-titled EP, as well as exclusive unreleased material and songs from their forthcoming full-length debut album.
Released for the first time on vinyl exclusively for Record Store Day 2025.

Tracklist
SIDE A:
1. Keep It Up (Live)
2. Skipping Stones (Live)
3. I Like (Live)
4. Bloom (Live)
5. Wekend Boy (Live)
SIDE B:
6. Small Town (Live)
7. Ripple (Live)
8. Sombody (Live)
9. Home (Live)
10. Daisies (Live)

Behold the vinyl debut of the first (and only) studio album by the mid ‘90s alt-rock ‘supergroup’ of Jason Falkner, Jon Brion, Buddy Judge & Dan McCarroll, known collectively as The Grays.
Ro Sham Bo was originally released in February 1994 on Epic Records. A critic’s delight upon its release - the album received highly positive reviews celebrating this unique and eclectic power pop record. Remastered from the original sources - plus two bonus tracks from the era!

Tracklist
DISC 1 SIDE 1
1. Very Best Years
2. Everybody's World
3. Same Thing
4. Friend of Mine
DISC 1 SIDE 2
1. Is It Now Yet
2. Oh Well Maybe
3. Nothing Between Us
4. Both Belong
DISC 2 SIDE 1
1. Nothing
2. Not Long for This World
3. Spooky
DISC 2 SIDE 2
1. All You Wanted
2. No One Can Hurt Me
3. Outdoor Miner*
4. Complicated*
*bonus tracks

Grammy-nominated rapper, singer, and songwriter Gunna celebrates his sophomore album Wunna with a 26-track deluxe edition pressed on emerald-colored vinyl. It features guest appearances from Young Thug, Lil Baby, Roddy Ricch, and Travis Scott, Future, NAV, and Lil Uzi Vert. Wunna debuted atop the Billboard 200 becoming Gunna's first number one album. It was supported by three RIAA-certified singles – “Skybox” and “Wunna”, both certified gold, and the platinum-certified “Dollaz On My Head”.
Pressed on double Emerald color vinyl for Record Store Day 2025.

Tracklist
A1. 200 For Lunch
A2. Dollaz On My Head (featuring Young Thug)
A3. Wunna Flo (featuring Yak Gotti)
A4. Gimmick
A5.F eigning
A6. Street Sweeper (featuring Future)
A7. MOTW
B1. One Watch (featuring Young Thug)
B2. Argentina
B3. Sun Came Out
B4. Cooler Than A Bitch (featuring Roddy Ricch)
B5. Addys (featuring Nechie)
B6. Dirty Diana
C1. Nothing 4 Free (featuring Nav)
C2. Top Floor (featuring Travis Scott)
C3. Skybox
C4. Wunna
C5. Blindfold (featuring Lil Baby)
C6. Rockstars Bikers & Chains
C7. Met Gala
D1. Nasty Girl/On Camera
D2. I’m On Some
D3. Relentless (featuring Lil Uzi Vert)
D4. Don’t Play Around
D5. Do Better
D6. Far (featuring Young Thug)

Guttermouth's fifth studio album and final release on Nitro Records. This is the first reissue on vinyl since its original 1999 release and pressed on “Yellow Smoke” vinyl.

Tracklist
SIDE A:
1. Hit Machine
2. Encyclopedia Brown
3. Con Especial
4. Viva America
5. Diamond Studded Bumble Bee
6. A Date With Destiny
7. The Dreaded Sea Lice Have Come Aboard
8. A Nice Place To Visit...
9. Food Storage

SIDE B:
1. I Have A Dream
2. BBB
3. High Balls
4. Power Up (Intro)
5. Power Up

It’s been 40 years since Paul Hardcastle’s classic self-titled album was released. An album which spawned international hit singles such as “19”, “Just For Money” and “Rainforest”, which, in recent times, has been rediscovered by a new generation of listeners. This limited-edition version has been remastered and cut at AIR Mastering and pressed on transparent red vinyl.

Tracklist
Side 1: 1. In The Beginning / 2. 19 / 3. King Tut / 4. Don't Waste My Time / 5. Central Park
Side 2: 1. Just For Money / 2. Moonhopper / 3. Better / 4. Strollin' / 5. Rainforest

A collection of 24 of the best-charting songs from Francoise Hardy's Vogue recordings, available for the first time ever in one package.
Limited pressing on 2LP opaque red vinyl in a gatefold jacket, with two printed inner sleeves.

Never before on vinyl, this limited-edition 12” picture disc single features two versions of HIM’s breakthrough hit, “Join Me (In Death)” (including a version from the movie The Thirteenth Floor), as well as the live track “It’s All Tears (Drown In This Love)” and a live cover of Billy Idol’s “Rebel Yell.”
A precursor to HIM’s famous album, Razorblade Romance, which celebrates its 25th anniversary in 2025, “Join Me” is a must-have for collectors. Released exclusively for Record Store Day 2025.

Tracklist
SIDE A:
1. Join Me In Death
2. Join Me In Death (13th Floor Mix)
SIDE B:
3. It’s All Tears (Unplugged Radio Live)
4. Rebel Yell (Live Version)

Vinyl debut of first new solo LP in 7 yrs. Produced by Don Dixon

TRACK LISTING: Anytime Soon | The Face of 68 | Larger Than Life | My Idea #49 | High High Horse | That Kind of Guy | One for the Book | Fireflies | See About You | So Sad About Sam | She and Me