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Single Disc, 130 Gram PURPLE Vinyl, in Standard Jacket, with Poster.
Orville is a new Columbia Records signing, and a rising country artist. This EP announces with the release of a new track "No Glory In The West. This is an addition to the previously released track and video, "Summertime". Orville appears on upcoming Diplo country album Diplo Presents: Thomas Wesley Chapter 1: Snake Oil. Orville is known for his baritone voice, strong musicianship and songs that are sincere yet bold in their storytelling. Orville has never confirmed his identity and is known for hiding his face with a fringed Lone Ranger mask.
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Grammy Award winner Sturgill Simpson has announced the release of "Sound & Fury," his much-anticipated new album and accompanying Netflix anime film. Produced by Simpson, “SOUND & FURY,” the album, was recorded primarily at the McGuire Motor Inn in Waterford, Michigan, with his bandmates Bobby Emmett, Chuck Bartels, Miles Miller, who all serve as co-producers along with GRAMMY nominee John Hill (Cage The Elephant, Portugal.The Man, Bleachers). The album – which Simpson describes as “a sleazy, steamy rock n roll record” – is a marked departure from 2016’s acclaimed “A Sailor’s Guide To Earth,” which won “Best Country Album” and was nominated for “Album of the Year” at the 59th GRAMMY Awards. Merging American rock music and Japanese animation in a revolutionary new way, “SOUND & FURY,” the film, was produced and based on a story by Simpson entitled “Sound & Fury.” Featuring some of the biggest names in the genre, the film was written and directed by Jumpei Mizusaki, founder of renowned animation studio Kamikaze Douga and director for the animated film, “Batman Ninja,” while Takashi Okazaki, creator of Japanese manga series “Afro Samurai,” served as the film’s character designer. Additional directors include Koji Morimoto of Phy (“AKIRA”) / Griot Groove, Michael Arias (“Tekkonkinkreet”), Masaru Matsumoto of Grayscale Arts (“Starship Troopers: Traitors of Mars”), Henry Thurlow and Arthell Isom of D’ART Shtajio (“Indigo Ignited, XOgenaSYS”). Shunsuke Ochiai is co-executive producer. Hiroaki Takeuchi is production executive (“The Animatrix”).
Double LP. Side D contains a custom etched design
The Highwomen are a cleverly named new supergroup comprising country and roots rock stars Brandi Carlile, Amanda Shires, Maren Morris, and Natalie Hemby. After a few months of teasers and a soft debut at April’s Loretta Lynn tribute, they’re making their official introduction to the world.
The group has announced its self-titled debut album, out in September and produced by Dave Cobb, the Nashville mainstay who always seems to be behind the boards for these types of projects. (He’s also produced recent albums by Jason Isbell, Sturgill Simpson, Chris Stapleton, Lori McKenna, Ashley Monroe… you get the idea.) The album features 12 songs written by various combinations of the core members plus some notable collaborators like Isbell, McKenna, Miranda Lambert, and Ray LaMontagne. It features guest appearances from Isbell, Cobb, Sheryl Crow, Yola, the Hanseroth twins, Chris Powell, and Peter Levin.
Encore was produced by Grammy Award-winning producer Dave Cobb and recorded at Nashville's historic RCA Studio along with additional production at House of Blues and Farmland Studio. The album features eleven songs, including "All On My Mind" (written by Ed Sheeran, Johnny McDaid, East and Aaron Raitiere), "King For A Day" (written by East, Chris Stapleton and Morgane Stapleton), "Girlfriend" (written by East, Cobb, Raitiere and Tim Bergling) as well as renditions of songs by Ted Hawkins and Willie Nelson. The release of Encore culminates a breakout series of years for East following his widely praised debut album, Delilah, which NPR Music called "an eclectic, fully formed debut."
Recorded at Nashville's RCA Studio A with Grammy Award-winning producer Dave Cobb, the album features eleven songs including "King of Alabama."Already receiving acclaim, NPR Music's Ann Powers praises, "Cobb, a troubadour whose classic country-rock songs are enhanced by his warm heart and keen eye, tells Mills' story with grace and discretion, as does the charming animated video...Cobb kicks out a Keith Richards-in-Muscle Shoals riff on his acoustic guitar and it melds perfectly with the organ to form a foundation that's pure, easy locomotion. Each verse follows another like the stretch of blacktop between exits, resolving in a chorus that's breezy and uplifting without unsettling the song's groove. Far from maudlin, Cobb's tribute does exactly what Mills did: it keeps on rocking, headlights on, until the last note."
Golden Hour follows the massive success of Kacey’s critically-acclaimed albums Same Trailer Different Park, Pageant Material and A Very Kacey Christmas. Both Same Trailer Different Park and Pageant Material debuted at #1 on Billboard’s Top Country Albums chart, with Kacey becoming the first solo female in 5 years to top the chart with a rookie release and only the seventh to do so in Nielsen SoundScan’s 22-year history. Kacey has won 2 Grammy Awards for Best Country Album and Best Country Song (“Merry Go ‘Round”), 2 CMA Awards for “New Artist of the Year” and “Song of the Year” (“Follow Your Arrow”), and an ACM Award for Album of the Year.
Chris Stapleton’s From A Room: Volume 2 will be released December 1 on Mercury Records Nashville. The multiple Grammy, CMA and ACM Award-winning musician first shared the album news from stage during the first of two sold-out shows at Nashville’s Bridgestone Arena this past Friday. Of the special hometown concerts, CMT praises, “…cemented his status as one of music’s greatest talents to emerge from the current decade.”
The forthcoming album takes its name from Nashville’s historic RCA Studio A (the capital “A” in “From A Room”) where it was recorded over the last year with Grammy Award-winning producer Dave Cobb. Along with Stapleton on vocals and guitar and Cobb on acoustic guitar, the album features Morgane Stapleton on harmony vocals as well as longtime band-members J.T. Cure on bass and Derek Mixon on drums. In addition to seven songs co-written by Stapleton, the album features versions of Kevin Welch’s “Millionaire” and the Homer Banks/Lester Snell-penned song made famous by Pops Staples, “Friendship”.
Volume 2 follows the release of From A Room: Volume 1, which debuted earlier this year at #1 on the Billboard Country Albums chart, #2 on the Billboard Top 200 chart and, with its RIAA Gold certification, remains the #1 best-selling country album of 2017. Stapleton’s 2015 double-platinum solo debut, Traveller, is currently the #2 best-selling country album of the year.
“Desperate Man” Church’s first single off the new album is currently in the Country Radio charts at #15. Co-written by Church with Texas musician Ray Wylie Hubbard as well as collaborating with producer Jay Joyce. The CMA Award winning singer won the Album of the Year in 2016 for Mr. Misunderstood and has reached Platinum status. It included the hit singles- Mr. Misunderstood, Record Year, Kill A Word, and Round Here Buzz. Desperate Man will contain 11 Tracks.
“Excitement for new music from my favorite artists is a feeling I can remember from my formative years. The unknown and the possibilities of the anticipation are one of the true joys of music,” shares the North Carolina native. “Well, even though how we discover songs from our favorite performers may have evolved, the feeling remains the same.”
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With over 225,000 physical albums sold, millions of streams, and hundreds of sell-out live performances nationwide, Cody Jinks’ highly anticipated new album, Lifers, marks his debut for Rounder Records and the next chapter in a book of grass-roots country music superstardom. In the two years since he released his last album, (which made its impressive debut on the Billboard Country Albums chart at #4), Jinks and his band have relentlessly toured and cultivated an immense and loyal following among enthusiastic music fans who crave the kind of authentic country music on which he was nurtured. The title track and theme of the album celebrates the resilience of the human spirit and pays tribute to the often overlooked “lifers, the struggling strivers, working long after the day is done…the last of the great generation.”
On his sixth album, Bryan wants to bring us together. “Let me hit you with some hometown truth,” he sings in the album’s title track, before sketching a series of country cliches—cowboys, ploughboys, kids running through Georgia pines—linked by their Southern roots. “We’re all a little different, but we’re all the same/Everybody doin’ their own thing.” Through philosophical musings on faith and fatherhood (“Most People Are Good,” “Pick It Up”) he bids listeners—and, notably, his sons—to be open-minded: “I believe you love who you love/Ain’t nothin’ you should ever be ashamed of.”
Ocean Front Property is the seventh studio album by American country music artist George Strait, released on January 12, 1987 by MCA Records. It is certified 2× Multi-platinum by the RIAA. It is the first album to debut at #1 on the Billboard Top Country Albums Chart. It was ranked #5 on CMT's list of 40 Greatest Albums in Country Music in 2006. Now available on vinyl!
John and TJ Osborne co-wrote every track on Port Saint Joe along with frequent collaborators Lee Thomas Miller, Kendall Marvel, Barry Dean, Shane McAnally, Troy Verges and more. The title, Port Saint Joe, reflects the small town on the Florida coast where the real-life siblings recorded the album.
“Port Saint Joe is a sonic representation of who we’ve become not only as a band but as people,” says John Osborne. “Every show we’ve ever played together is on this record. Every song we’ve ever written and every mile we’ve ever ridden has led to the making of this record. Imperfections and all.”
TJ adds, “we shacked up for two weeks to make an unabashed record that would reflect who we are in every way, and in the process we had the most enjoyable and memorable recording experience of our lives.”
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A lot can change in a year: markets boom and bust, trends come and go, presidents get elected. In 2015, Margo Price was a country underdog just trying to keep enough gas in the tank to get to the next gig, but by the end of 2016, she was one of the genre’s most celebrated new artists and a ubiquitous presence on late night television and at major festivals around the world.
It’s the kind of year most musicians can only dream of, and the arrival of Price’s spectacular sophomore album, “All American Made,” proves that she hasn’t taken a moment of it for granted. Delivering on the promise of her debut and then some, the record finds Price planting her flag firmly in the soil as a songwriter who’s here for the long haul, one with the chops to hang with the greats she so often finds herself sharing stages with these days.
A prolific writer with a knack for candid self-reflection, Price has never had to look too far for inspiration, and on ‘All American Made,’ she and her songwriting partner/ husband, Jeremy Ivey, continue to depict the trials of everyday life with un inching honesty, painting poetically plainspoken portraits of men and women just trying to get by.
Highs and lows, long nights and hard days, wild women and cocaine cowboys, politics and sexism, it’s all in there, singularly filtered through Price’s wry, no-bullshit perspective. Throughout the album, her contemporary take on classic sounds is at once familiar and daring, an infectious blend of Nashville country, Memphis soul, and Texas twang that tips its cap to everyone from Waylon and Willie (who makes a guest appearance) to Loretta and Dolly, all while flipping a middle finger to the cookie-cutter pop that dominates modern country radio. Rich with swirling pedal steel, honky-tonk rhythms, and Price’s stop-you-in-your-tracks vocals, ‘All American Made’ is deeply reverent of tradition even as it challenges conventions, a nuanced exploration of conflicted emotions for our deeply conflicted times.
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